iZombie and a romantic digression

In things-I-haven’t-been-following-issue-by-issue, iZombie has turned from just reasonably entertaining to zomg why can’t I have more now? I think it’s the sort of thing that will really pay off reading in full, and rereading it, there’s lots of moments that don’t come to pay off till later. Also, you want to reread previous volumes before starting a new one – the overarc is a multi-volume one, and it’s easy to forget things.

A thought: it is possible to portray rapid-fire romances that do work for me. (I read an interview with Clive Barker that was all, the people who are wtf about Gazza just don’t understand my art, and it annoyed me. I refuse to believe I just fail as a reader, thanks for that suggestion CB.)

So: iZombie doesn’t conflate insta-attraction with insta-love. The romance comes from the fact Gwen and Horatio spent this awesome evening really connecting. You know? I can buy the speed of the intensity because you can see the way they click.

Tamora Pierce’s Mastiff, which I read recently, does have a really rapid falling in love – but it still happens over the course of the book, we explicitly see how Beka becomes comfortable with Farmer, we see enough of his personality to understand the attraction and why she would come to love him. Plus intense circumstances and all.

Maybe Gazza would have worked better for me if we’d spent any time with him before he met Candy? I feel like it’s important to understand why both partners are attracted to one another – and we the reader already like Candy, but we know nothing about this Gazza fellow or whatever charming qualities he has. Candy doesn’t have any time to see them. And maybe you want to make a point about their trans-lifetime connection but if you want me to buy two characters being in love I have to know what there is to love.

Horatio takes down a bunch of men in black.

Even if it’s something really shallow like he’s a badass monster hunter.

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